Artist
Based in Seoul

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2025 G-Artience NextGen 10 Talk

November 18th, 2025

Daejeon Convention Center, Korea

Source: WomenTimes

We love you, customer :) | Technical Director, Programmer
C#, Unity

Interactive VR Film

October - November, 2025

Gwangyang International Media Art Festival, Korea

October, 2025

Kim Hee Soo Art Center, Seoul, Korea

An interactive VR experience that back-tracks the essence of emotion.

The participant submits their facial expressions and voice as data, while the audience retraces the experience from the point of emotional-labor consumption.

In a near-future scenario where emotions become both raw material and commodity, the dual meta-structure between participant and audience reveals that the system’s attempt to interpret emotion ultimately functions as a device that compels humans to redefine emotion itself.

<The Hello kitty Phone’s Secret Messages> Sanrio Virtual Festival 2025 | Technical Support
C#, U#, Unity, VRChat

Selected for the Sanrio Virtual Festival Award as part of the XR Festival Asia × Sanrio Virtual Festival Project, with a recommendation from the Bucheon International Fantastic Film Festival.

Delivery Dancer’s Arc: Inverse - Ayoung Kim | Narrative Resources R&D, a part of AI Image and Video Generation team

Upcoming Event : Ayoung Kim Exhibition, MoMA, New York, USA November 6, 2025—March 16, 2026

2025 LG Guggenheim Award

2024 ACC Future Prize, National Asian Culture Center, Gwangju, Korea

In this exhibition, Kim highlights the numerous traditional calendar and timekeeping practices that have been forgotten or lost due to Western modernization. Although each culture possesses its own unique timekeeping system and calendar, reflecting its history and philosophy, the Gregorian calendar has become the global standard in the modern world.

The standardization of time and calendars is linked to the dynamics of imperialism and political power during modernization and globalization. This work puts forth the traditional cosmologies and time systems of diverse cultures that have gradually vanished due to Western modernization, reflecting her effort to reintroduce them into the narrative of contemporary art.

Source: ACC website

Excercise for Haters | Music Director
Original Scores

Immersive Robot Performance

July 19—July 24, 2024

SFAC theater QUAD, Seoul, Korea

Set in a fictional company striving to become an innovation leader by massively deploying robot employees, this performance allows up to 80 audience members to ‘clock in’ as human employees, simultaneously experiencing and shaping the show.

Cilmbing for Rapunzels | Music Director
Original Scores

Climbing Theater

May 30—June 1, 2024

K-Arts, Seoul, Korea

"Those who have experienced betrayal of trust need the strength to see the world upside down."

We are all trapped in a tower—sometimes by blood ties, sometimes by societal structures, and sometimes by our own memories.
The performance explores themes of trust and betrayal, connection and disconnection, roots and existence, inviting the audience to question their own boundaries.

Like Rapunzel, it encourages them to find the courage to climb their own towers.

Impossible Inaudible: 모든 것은 (흔)들린다 | Music Director, Sound

3 Channel Video Installation Art

April 12—May 18, 2024

Kim Hee Soo Art Center, Seoul, Korea

The sound in this work, which explores the connection between waves and sound, is composed of the modulated voice of Lee Piljin, the collaborating scientist for this exhibition.

The physical principle that everything in the universe fundamentally exists as a wave extends beyond the limits of human auditory perception. The sound of matter and the transformed voice create multiple layers, resonating with fundamental questions.

PASI | Script Assistance, Technical Support
C#, Unity

VR Film

November, 2024

Total Museum, Seoul, Korea

September, 2024

Ars Electronica, Linz, Austria

November, 2023

꼼지락실험실, Mokpo, Korea

PassHass | Writer, Programmer
C#, U#, Unity, VRChat

VR Immersive Theater

November, 2023

National Asian Culture Center,
Gwangju, Korea

September, 2023

Ars Electronica, Linz, Austria

A theatrical experience shaped through the metaverse. Two actors and a live audience collaborate in a shared virtual world, co-creating the performance.

Within the narrative, actors and audience members adopt virtual identities, forming relationships and interacting through sensory experiences impossible in the real world.

This project envisions a new kind of theater experience through the fusion of art and technology.

Audiences awaken as tiny spores of fungi, driven by an instinctive hunger for food, venturing into the unknown.

Just as they reach their final destination, believing they have won the game… they realize they have devoured humanity’s seed vault—the last hope of a species that fled Earth due to climate catastrophe.

Prayer(祈) | Composer
Original Score

November, 2023

K-Arts, Seoul, Korea

When the heavens finally respond to a millennium of prayers, the Imoogi's dance and cries radiate brighter than shimmering waves and more brilliant than moonlight.

The Dead Leading Messenger | Composer
Original Score

August, 2023

Folk Theater Pungryu, Seoul, Korea

If we view life as a long journey, the destination is the same for all. This piece wishes those whose life approaches its final destination a peaceful end to their journey with the guidance of Death.

Salvio Hexia | Composer
Original Score

May, 2021

K-Arts, Seoul, Korea

The melody of Taepyeongmu, carried atop the rhythms of Gyeonggi Dodanggut, enchants a spell that summons peace, well-being, and safe passage.

Gayageum | 정진아

Daegeum | 유수빈

Ajaeng | 서영혜

Geomungo | 이승민

Buk | 김태형

Janggu | 조혜수

Kkwaenggwari | 김윤상

Jing | 이극언

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HAJUNG WOO